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Eternal Crafts is a two-part exhibition exploring craftsmanship’s deep connection to time, skill and collaboration. The second edition, Communal Weaving, features the commissioned artwork Tirhal: To Al-Ahsa.
This work celebrates weaving as both a material and social practice. Conceived through a discussion between the curator Meshal Al-Obaidallah and the artist Abeer Seikaly, the project expands their dialogue to include fellow creative practitioners. The act of weaving unfolds as more than craft, to become a shared ritual.
Tirhal: To Al-Ahsa is a travelogue that grew from the artist’s journey to al-Hasa and four-day experience at the Julayjilah palm farm—hosted by the farm owner Jasim Al-Mousa. Rooted in al-Hasa, the project considers the palm tree itself as a central figure—evergreen, maternal and enduring. Its fronds are used in the weaving craft of khoos. Through collective fieldwork on the farm, Tirhal: To Al-Ahsa unfolds as a woven structure, a photographic series and a short film.
Woven in collaboration with the khoos weavers, Masouma Al Hamdan and Fatima Al-Mousa, the suspended trunk-like spiral structure mimics the natural geometries of the palm tree, and it unravels into a hasir—a traditional floor mat. The accompanying photo series captures candid moments from the trip that unfold chronologically like a daily diary. The short film, directed by Abeer Seikaly and executive produced by Meshal Al-Obaidallah, layers the artist’s introspective narration with scenes of farm life, shared meals and experimental attempts.
As one steps into the exhibition, they enter a continuum between ancestral handcraft and contemporary vision. Tirhal: To Al-Ahsa reflects this continuity; the artist—herself Jordanian-Palestinian—meditates on how indigenous knowledge travels across hands, lands and generations in the Arab world.
The Curator
The Artist
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